By Saquib Salim, New Age Islam
18-08-2022
Parveen Has Employed Imagery of Radha and Krishna at
Several Places in Her Literature
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Pakistani poetess Parveen Shakir
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Tu Hai Radha Apne Krishan Ki
Tera Koi Bhi Hota Naam
(You are Radha of your Krishna
No matter, what your name is)
Most of us may find it hard to believe that the above lines
have been penned by a Muslim woman poet from Pakistan. She is Parveen Shakir,
one of the most popular Urdu poets of the 20th century.
In these times when divisive political narratives seem to
have overtaken the composite syncretic culture of the Indian subcontinent, it
is hard to believe for common people that Lord Krishna has always remained a
revered figure for Muslim writers of Urdu language. Politicians might have
tried to stamp languages with communal identities but the truth remains that a
language roots itself in culture, and not religion. Urdu, which has developed
completely in India, has its roots in its culture. The metaphors, similes and
words derive their origin from Indian culture.
When it comes to the metaphors and similes for love, what
expresses the emotion better than Radha and Krishna in Indian culture! People
of every region, religion, caste, and language can identify themselves with the
story of the most devoted love. Parveen Shakir, though a Pakistani, was a
writer who belonged to this rich tradition of Urdu language. In her book Sadbarg,
she wrote a poem titled Salma Krishna which points towards the fact that to
become a devotee of Krishna one need not be a Radha, a Hindu, and any Muslim,
say Salma, can also has this devotion. In a larger context, the idea that
religion cannot put boundaries on romantic emotions is being expounded through
the poem.
Parveen writes:
Tu Hai Radha Apne Krishan Ki
Tera Koi Bhi Hota Naam
(You are Radha of your Krishna
No matter, what your name is)
Murali Tere Bhiitar Baajti
Kisi Ban Karti Bisraam
(No matter in which forest you would have dwelled, the flute
would have played inside your soul)
Ya Koi Singhasan Biraajti
Tujhe Khoj Hi Lete Shyaam
(Or, you had been in a palace, Shyam would have found you)
Jis Sang Bhi Phere Daalti
Sanjog Me The Shyaam
(Whoever, you had married, your soulmate was Shyam)
Kya Mol Tu Man Ka Maangti
Bikna Tha Tujhe Be-Daam
(What price you would have asked for your heart when it had
to be given for free)
Bansi Ki Madhur Taano Se
Basna Tha Ye Suna Dhaam
(This empty heart had to be dwelled by the sweet notes of a
flute)
Girdhar Aa Kar Bhi Gaye Aur
Man Maala Hai Wahi Naam
(While Girdhar has already left, the beads of rosary still
bear his name)
Jogan Ko Pata Bhi Kya Ho
Kab Subah Hui Kab Sham
(The devoted lover has no sense of time in love)
The poem does not seem far from the tradition of Mirabai,
Raskhan and other well-known devotee poets. Parveen Shakir also served in
Pakistan Civil Services as a Revenue official. The poem is not an aberration.
Parveen has employed imagery of Radha and Krishna at several places in her
literature. In the same book, another devotional poem Shyam! Main Tori Gayya
Charaaun (Shyam! I will graze your cows) displays the utilization of Radha
and Krishna to depict emotions of love.
This poem is more of a devotional poem. Parveen writes,
Aaye Sapno Mai Gokul Ke Raja
Dene Sakhiyo Ko Aayi Badhaayi
(The king of Gokul has visited in dreams, so I am telling my
female friends)
Krishna Gopal Rasta Hi Bhoole
Radha Pyari to Sudh Bhool Aayi
(Krishna Gopala has lost only way to his house, while Radha
has lost her senses)
The poem is full of imagery where Radha is crazily in love
with Krishna’s flute and has lost all senses. The book was published in 1980,
and Parveen died in 1994. Today, I wonder that a popular Muslim figure can show
such a devotion towards Lord Krishna without being targeted and here a
Pakistani official was publicly praising Lord Krishna.
Source: Parveen
Shakir: A Pakistani Devotee Of Radha Krishna
URL: https://newageislam.com/interfaith-dialogue/parveen-shakir-pakistani-devotee-radha-krishna/d/127746
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