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Spiritual Meditations ( 14 Jan 2023, NewAgeIslam.Com)

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Is The WhatsApp Generation Aware Of The Greatness Of Sahir, Kaifi, Shakeel and Majrooh?

By Sumit Paul, New Age Islam

14 January 2023

Recently, on the occasion of Javed Akhtar's biography Jadunama, Gulzar and Javed were present on the same dais conversing and bantering with each other. The video uploaded on YouTube read, World's greatest lyricist! Agreed, it wasn't official, but it amply showed this musically impoverished generation's rank ignorance. No doubt, Javed and Gulzar are fine poets and lyricists, but can both be called greats (here, greatest!)?

 

From Top left hand corner : Jan Nisar Akhtar, Sahir Ludhianvi, Majrooh Sultanpuri, Shailendra, Rajendra Krishan, Shakeel Badayuni, Gulzar,Javed Akhtar, Shahryar, Kaif Bhopal

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We seem to have become extra generous with adjectives and superlatives and are using words such as 'great', 'legend' and 'genius' etc. a tad too frequently and for even those who're just modest and mediocre achievers in their respective spheres. If these two brilliant poet-lyricists are greatest, how'll this generation measure the greatness of Shakeel Badayuni, Majrooh Sultanpuri, Kaifi Azmi, Sahir Ludhianvi and Shailendra (not necessarily in the same sequence)?

Weaned on Bidi Jalai Le or Kajrare Kajrare, youngsters have no idea of the numbers like ' Man Re Tu Kaahe Na Dheer Dhare' (Chitralekha, 1964, Sahir), ' Meri Aawaaz Suno' (Naunihal, 1967, Kaifi Azmi), ' Mujhe Dard-e-Dil Ka Pata Na Tha' (Akashdeep, 1965, Majrooh Sultanpuri), 'Zindagi Ke Safar Mein Akele Thay Hum' (Nartaki, 1963, Shakeel) or 'Din Dhal Jaaye Hai Raat Na Jaaye' (Shailendra, 1965, film: Guide), ' Mujhe Tum Se Muhabbat Hai Magar' (Film: Bachpan, 1963, Hasrat Jaipuri) among others.

These stalwarts of the past were exceptionally good poets and fabulous lyricists. Ask any old timer and he or she'll vouch for their immortal creations. There're certain factors responsible for this ignorance among the WhatsApp generation and also those who're glued to it regardless of their age.

Our feel for a language is on the wane. Urdu is almost moribund and its script has become an anachronism. Though I'm not associating Urdu with a specific community, even Muslims cannot read and write this exquisite language.

Hindi has gone to dogs. Nowadays, no one seems to write and speak it correctly. English in India has always been execrable.

Years ago, I read a Pakistani Urdu columnist Sameena Akbar's column in Nawa-e-Waqt in which she wrote, " Ehteram-e-Zabaan Ke Saath Hi Har Lateef Shauq Ka Aaghaaz Hota Hai " (with the respect for a language, starts the appreciation for all beautiful things and pursuits).

So very true! Her words stayed with me. There's no appreciation for any tongue any more. That's why, the heart-warming and soul-gladdening poetry of the stalwarts of yore is unintelligible to this generation but they can relate to the humdrum writings of Gulzar and Javed and are ready to put them on the highest pedestals. While it's good that people are at least reading poetry of Javed and Gulzar, however banal that may be, and listening to their listless numbers, we must never forget that there have been far greater poets and lyricists who enthralled those with a sense of aesthetics and Zauq-e-Jamaaliyaat. Alas, gone are those days.

This reminds me of Ghalib's famous quatrain, ' Woh Firaq-O-Visaal Kahan/ Woh Shab-O-Roz-O-Maaho-Saal Kahan/ Fursat-e-Karobaar-e-Shauq Kise/Zauq-e-Nazzara-e-Jamaal Kahan?' (Where have gone those days of union and separation/ Where're those lovely nights, days, moon and years/ Who has the time to indulge in love/ Where is that ebullient appreciation to see anything beautiful).

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A regular columnist for New Age Islam, Sumit Paul is a researcher in comparative religions, with special reference to Islam. He has contributed articles to the world's premier publications in several languages including Persian.


URL:    https://newageislam.com/spiritual-meditations/whatsapp-sahir-kaifi-shakeel-majrooh/d/128870

   

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