By
Faizaan Bhat
December
24, 2020
After two
hundred and twenty two years, Ghalib is still regarded as the loftiest poet
Urdu has ever produced. He is one of the major world poets across all
languages, one of the most chronicled poet and a genius of his age. His poetry
is relevant among people of all age groups. His poetry still haunts millions of
restless minds with desire and despise. It gives solace to people with deep
wounds. His poetry is nothing short of being divine. As he himself says:
Aate Hain Ghaib Se Ye Mazaameen Khayaal Mein
Ghalib, Sareer-E-Khaama Nawa-E-Sarosh Hai
“Comes
mysteriously such thoughts in my mind that…
Ghalib ,
scratching sound made by pen is the voice of an angel”
Classic
Urdu literary critic, Abdur Rehman Bijnouri in his book “Mahasin-i-Ghalib”
writes that “There are only two divinely revealed books in India – the holy
Vedas and the Dewaan-e-Ghalib.” Syed Maududi says that this was our fortune
that an incomparable literary personality like Ghalib was born among us but it
was his misfortune that he was born at a time when the nation was in a state of
crisis and because of which he is yet to get the place which world literature
has given to lower grade of poets just because they were born in progressive
nations.
Ghalib is
the most quoted Urdu poet. Even after such a long time we see his poetry
everyday on social media, in political rallies, in seminars or sung by
legendary singers like Jagjit Singh, Nayyara Noor or Ghulam Ali. Even after this
long time a lot of plays or films were and are still made on Ghalib like Mirza
Ghalib Bunder Road Pe (Ghalib on Bunder Road) by Khwaja Moinuddin, Ghalib Kaun
Hai (Who is Ghalib) by SM Mehdi, Mirza Ghalib by Sohrab Modi and the series on
Ghalib by Gulzar. He is the oft-quoted poet in historical speeches or
judgements also. When Satya Nadella , the CEO of Microsoft visited India in
May, 2016 for the program,“Tech for Good Ideas for India”, he said “ I have
only two passions that have driven my dream “Poetry and Computer Science” then
quoted Ghalib,
“Hazaaron Khwaishein Aisi Ki Har Khwahish Pe
Dam Nikle Bahut Niklay Mere Armaan, Lekin Phir Bhi Kam Nikle.”
(Thousands
of desires and each one dying for, many of my desires were filled, by yet they
appear).
Justice
Katju, after passing the landmark judgement for the euthanasia case in March
2001 quoted Ghalib,
“Marte Hain Aarzoo Mein Marne Ki
Maut Aati Hai Par Nahin Aati.”
(I die in
my desire for death, but death while present eludes me).
There are
countless examples like these that prove how Ghalib is still relevant and alive
after centuries.
Born on 27
December 1792, Ghalib’s real name was Mirza Asadullah Beg, home-schooled first
by Molvi Mohammad Muazzam, then for some months at a madrassa and later by a
Persian scholar, Molvi Abdus Samad. Before turning nine, tragedy befell him
when his father and uncle died. He first started writing under the Takhallus,
“Asad”, which means “lion” and then, “Ghalib”, which means “dominant”. At the
age of thirteen he married Umrao Begum who bore him seven children, out of
which none survived and he later adopted his wife’s nephew Arif who also died
at the age of thirty six. He had no formal employment, he used to run his life
on grants, loans and then on his in-laws’ support, who were very rich. Despite
having no regular income Ghalib was fond of the finer things in life like
expensive liquor, kebabs and mangoes. Ghalib feared more the deprivation of
these things than he feared death.
Ghalib was
arrested many times. He was first arrested after the revolt of 1857 when many
Muslims were arrested. When he was arrested and produced before Col. Brun he
was asked, “Are you a Muslim?” to which he replied, “I am a half Muslim because
I drink but don’t eat pork”. He was a man of humour. Ghalib was earlier
arrested in 1841 from his home for gambling. He was imprisoned for six months
and fined 200 rupees. He was released after half of his sentence on the advice
of British clinical surgeon Dr. Ross at the request and help of Physician and Poet
of Kashmiri ancestry Hakeem Momin Khan Momin, who also paid money for his bail.
Ghalib’s
awareness is based on his own experiences, deep sufferings, and his intense
struggle. His poetry is emblematic of man’s fate, paradoxes and defects and
events that cause deep anguish. His Philosophy has dialectic touch and human
sensibilities which is presented in the lines like these,
“Bas Ki Dushwaar Hai Har Kaam Ka Aasaan Hona
Aadmi Ko Bhi Muyassar Nahin Insaan Hona.”
(For every
little thing to be easy
It is difficult
for a man to be a man.)
Ghalib was
a self-proclaimed Sufi-he believed in spiritual gnosis and not in rituals which
he clearly shows when he writes,
“Yeh Masail-E-Tasawwuf...Yeh Tera Bayaan
Ghalib,
Tujhe Hum Wali Samajhte, Jo Na Baadakhwaar
Hota.”
(These Sufi
like discussions, and your speech Ghalib. We would have considered you a saint,
had you not been a drinker).
Saif
Mahmood in his book “Beloved Delhi, A Mughal City and her greatest poets”
writes that, “Ghalib is a profound Philosopher who transcends time, culture and
geographies. He is a spiritualist who first celebrates God’s manifest presence
and then immediately pitches it against the need for His unmindful all
pervading form. He mourns loss but only to tell us that pain is much a part of full
life as pleasure. He is a powerful visionary but also aware of the
inevitability of being hopelessly caught up in the exigencies of everyday
existence. Like all geniuses Ghalib is a mystery.”
Altaf
Hussain Hali, who spent much time with Ghalib has in his book “Yaadgar I
Ghalib” highlighted two main aspects of his poetry which are Turfaagi-e-Khayaal
(ingenuity of thoughts) and Jiddat-o-nudrat-e-mazaamin (innovative freshness of
subjects). Hali has also written about a particular incident in his book that someone
from Banares insisted Ghalib that the couplet written by Mir Amani Asad, the
disciple of Sauda, is written by him. On listening to the couplet Ghalib became upset and said “If it
belongs to another Asad, let God bless him and if me let God’s curse be on me”.
About seven years before his death epidemic hit Delhi which killed around two
thirds of people on which Ghalib commented; “I should have died that year but
it is below my dignity”, which proves his inventive intellectual disposition
and the extraordinary element in his sub consciousness
Ghalib,
despite having financial issues was a man of self-respect and had human
sensibilities. Delhi College was in need of a Persian professor. British
secretary Mr. Thompson offered this job to Momin who declined and recommended
the name of Ghalib for his financial issues.
Mr. Thompson didn’t come to receive Ghalib for protocol reasons and sent
another person. It hurt his sentiments and he left without even entering the college.
Ghalib was
not only a great poet but an extraordinary letter writer also. His letters were
first published in 1868, four months before his death by Matba-e-Mujtabaat and
then in 1869 by Urdu Mu’alla and in 1949 by Od-e Hindi. Many Urdu literary
giants like Hasrat Mohani, Niyaz Fatehpuri, Ale Ahmad Suroor have written on
Ghalibiyat. Even, when the Poet-Philosopher Allama Iqbal left for Europe for
his higher education he visited the grave of Ghalib to pay his respects before
starting his academic journey.
Literary
critic Abdul Ghani beautifully sums him up, “Ghalib talks about mystical
matters and he addresses God in such a way that by not providing for him, the
Almighty took a blame for himself. It is clear that mysticism and materialism
have nothing in common. Bedil’s high thinking impressed emperors and elites,
but Mirza was a free soul and a non-conformist to the core. This is a great
quality of Ghalib and a secret of his popularity, somewhat complex,
multifaceted and attractive for everybody. This is why people of different
denominations, from the learned to the commoner, from the faithful to the
sinful, and from the ascetic to the free thinker, appreciate his down to earth
nature and elucidation of beauty”.
Original
Headline: Ghalib: The Poet of Poets
Source: The Greater Kashmir
URL: https://newageislam.com/islamic-personalities/mirza-asadullah-khan-ghalib-poetry/d/123864
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