Hijab Alone Is Not Enough - Cover Face with Niqab Too: A Hyderabad Man Hands the Hijabi Woman A Niqab And Urges Her To Wear It, Citing Religious Obligations
New Age Islam News Bureau
04 June 2025
· Hijab Alone Is Not Enough - Cover Face with Niqab Too: A Hyderabad ManHands the Hijabi Womana Niqaband Urges Her To Wear It, Citing Religious Obligations
· Eternal Love: Viral Iranian Dating Show Defies Tehran's Cultural Clampdown
· Afghanistan’s KhalidaPopal Wins Best Sports Book Award
· Migrant Muslim Threatens Those Who Wants To Ban Hijab and Burqa In France
· Support for Enabling Afghan Women's Access to Legal Education
· The Book 'Queens of Islam' Tells Stories of Historic, Forgotten Muslim Women Rulers
· Gender Budget Shrinks, Concerns Raised Over Women’s Development
· Decide to Leave Hijab, Artist Olla Ramlan Reveals the Reason for The Children
· Iran’s ‘Hell’ Exhibit Goes Cold On Final Night After Technical Glitch
Compiled by New Age Islam News Bureau
URL: https://newageislam.com/islam-women-feminism/hijab-alone-niqab-hyderabad-woman-wear/d/135776
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Hijab Alone Is Not Enough - Cover Face with Niqab Too: A Hyderabad Man Hands the Hijabi Woman A NiqabAnd Urges Her To Wear It, Citing Religious Obligations
SIBY JEYYA
04/06/2025
The footage shows a man, dressed in a green shirt, white pants, and a white cap, approaching a woman seated on a bench. The woman is wearing a hijab and a long, loose garment, but her face is uncovered. The man, seemingly on a phone call, hands her a Niqab—a face-covering veil—and urges her to wear it, citing religious obligations and the impending Day of Judgment.
The video touches on a sensitive issue within Islam: the interpretation and enforcement of modesty codes. Islamic teachings, as outlined in various sources, emphasize modesty for both men and women, but the degree and manner of covering can vary significantly. The hijab, which covers the hair and neck, is widely accepted as sufficient by many Muslims, while the Niqab, which covers the face, is more controversial and not universally required. Some scholars, like those cited in islamqa.info, argue that the Niqab is obligatory, while others, such as those at whyislam.org, see the hijab as a personal choice rooted in devotion to God.
The interaction in the video raises questions about the role of men in enforcing these codes on women, particularly in public spaces. It also highlights the tension between individual autonomy and communal expectations, a theme that resonates with broader discussions on women's rights and religious freedom. The related web content from the Pew Research Centre notes that restrictions on women's religious attire are common in some countries, but harassment for not wearing such attire is also a concern, illustrating the complexity of these issues globally.
The video and Dr. Maalouf's commentary sparked a torrent of responses, reflecting a wide spectrum of views on Islamic dress codes, gender roles, and religious authority. Some users, like @TheImmortal007, shared a related image of a woman in a Niqab, possibly to highlight the prevalence of such practices. @Dynames posted a link, likely to further context or a similar discussion. @anysweetday criticized Islam broadly, labelling it a religion that "seeks to enslave women" and justify violence, a sentiment echoed by @Serra, who called for prayers for those trapped in such beliefs.
Source: indiaherald.com
https://www.indiaherald.com/Breaking/Read/994824460/Hijab-Alone-Is-Not-Enough-Cover-Face-With-Niqab-Too
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Eternal Love: Viral Iranian dating show defies Tehran's cultural clampdown
04 June 2025
A screengrab from Episode 1 of Eternal Love as the female contestants raise a toast.
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Strict cultural restrictions by the Islamic Republic have helped pave the way for the runaway success of Eternal Love, a bawdy Persian-language dating show filmed in Turkey and streamed online into Iranian homes.
The YouTube-based reality series, launched in April 2025, shows young Iranian singles in a luxury villa competing for love and money—formats banned by Iran's theocracy but now flourishing beyond its reach.
“This program is an insult to Iranians, an insult to women,” said conservative Iranian film critic MassoudFarasati. “This show is so vile that one feels ashamed just watching it.”
Filmed in Bodrum, Eternal Love features flirtation, alcohol, designer fashion and physical intimacy—routinely censored in Iranian media.
Even minimal depictions of dance, drinking or romance have led to the suppression of domestic shows.
While host ParastooSalehi mentioned a company named Yapım during an Instagram Live, the word is a generic term in Turkish meaning production. The specific production company behind the show has not been publicly disclosed.
Given that the show is filmed in Turkey and features Iranian participants, it is likely produced by a Turkish-based firm specializing in reality television formats.
Cultural red lines push audiences, creators abroad
The Islamic Republic has long banned or restricted dating shows, romantic drama, and portrayals of relationships outside marriage.
The state regulators' red lines mean much of contemporary life especially for younger people is absent from official screens.
Two recent examples highlight the scope of the restrictions.
The series Tasian was suspended over brief scenes of dance and alcohol consumption. A film adaptation of Savushun—SiminDaneshvar’s acclaimed novel—was also taken off a domestic streaming platform on Thursday after its first episode featured women dancing, touching men, and sharing drinks at a gathering.
Some viewers said the excessive control explains the reality show's success.
“When domestic shows are banned over a few seconds of dancing, people turn to Eternal Love, where at least they can watch without censorship,” one user wrote on X.
The online newspaper Faraz drew a direct link between the two events. In a report titled From Savushun’s Ban to Eternal Love’s Rise: Censorship in the Age of Choice, the paper wrote: “The sudden halt of Savushun, coinciding with the undeniable surge of Eternal Love on YouTube, is a fitting moment to re-examine how the official system deals with social, emotional and cultural narratives.”
“Today’s audience no longer waits for the approval of regulatory bodies; they make their own choices and follow content on platforms that speak the language and rhythm of real life."
“In such a context, censorship and bans no longer act as deterrents—they become triggers for attention and, in some cases, forms of indirect advertisement.”
Yet some analysts voiced concern. “Eternal Love targets the weaknesses of Iranian culture and has presented itself on social media by riding a wave of illusion,” sociologist AlirezaSharifiYazdi said in an interview with the Hamshahri newspaper.
“Such cultural engineering leads to the weakening of deep and healthy relationships among young people.”
Other viewers were less harsh. “Maybe it’s shallow,” one Instagram user commented, “but at least it shows something that exists in society—something no one dares to talk about.”
State silence meets public curiosity
Though Iran’s state media have remained silent on Eternal Love, its reach has grown rapidly. Within weeks of launch, the show topped Persian-language viewership charts on YouTube.
Host ParastooSalehi, once a fixture of state television, dismissed the silence during a livestream: “When you attack something, people want to see it even more.”
She emphasized that she had no hand in developing the show’s format or selecting contestants.
“I just show up and talk,” Salehi said. “I'm not a psychologist. I'm just gabbing.”
Yet criticism persists. Actress ShohrehSoltani described the show’s name as an affront to classical notions of love. “Calling this ‘eternal love’ is a disgrace to the concept,” she said, referencing Iranian literary archetypes like Layla and Majnun.
Farhikhtegan, a conservative daily, called the show “filthy lust marketed as freedom.”
Gozare 24, in a separate editorial, argued: “It’s a mix of superficiality, vulgarity, and a distorted view of love and commitment. Yet its massive viewership, despite sharp criticism, shows how sensational and contrived content still captures attention.”
Revenue rises despite VPN access
Eternal Love has released 27 episodes on YouTube as of June 3, 2025. The first episode alone reached approximately 7 million views, while subsequent installments have each attracted between 3 and 4.5 million views.
YouTube compensates creators based on Cost Per Mille (CPM), with rates ranging from $2 to $12 per 1,000 views.
But because much of Eternal Love’s audience accesses the platform via VPNs from Iran—where ad targeting is limited and advertiser confidence is low—the effective CPM is likely near the lower end of the scale. After YouTube’s 45% share, creators typically retain 55% of revenue.
Conservative estimates would put their total YouTube revenue for the show from around $210,000 to $520,000, far below unsubstantiated guesses online of over $1 million in profits.
Mirror for a suppressed generation
As Iran’s cultural bureaucracy tightens its grip on domestic production, Eternal Love offers something different—not depth, say critics, but visibility.
For a younger generation raised under pervasive censorship, the show appears to reflect a version of lived experience, however stylized or exaggerated.
“There is a hunger for real representation,” wrote one user on X. “And if it cannot be created inside Iran, it will be created outside.”
Whether Eternal Love represents social reality or market-driven spectacle, its rise signals a shift.
In trying to silence depictions of romance and lifestyle, the Islamic Republic has not eliminated them—it has simply handed the narrative to others, filming abroad, funded by unknown parties' sponsors and streamed into Iranian homes via VPNs.
Source: iranintl.com
https://www.iranintl.com/en/202506030603
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Afghanistan’s KhalidaPopal wins best sports book award
By Fidel Rahmati
June 3, 2025
Afghanistan’s KhalidaPopal won the Best Sports Book Award for My Beautiful Sisters, highlighting her fight for women’s football.
KhalidaPopal, former captain of the Afghanistan national women’s football team, has been honored with the Best Sports Book of 2025 award in London for her book My Beautiful Sisters. The prestigious ceremony, organized by the London Sports Book Awards Foundation, recognized Popal’s book as a powerful and inspiring account of her struggles and achievements in advancing women’s football in Afghanistan amid cultural and political challenges.
The book’s compelling narrative, highlighting Popal’s courage, perseverance, and her efforts to create opportunities for Afghan female athletes despite widespread restrictions, captured the judges’ attention. It also details her personal journey, including her exile to Denmark, making the story both a personal memoir and a broader reflection on resilience and hope.
In addition to the main award, My Beautiful Sisters received the Vicky Orvis Award for Women’s Sports Writing, emphasizing the book’s significant impact in raising awareness about women’s issues in sports.
Popal’s memoir explores her relentless fight to establish sports opportunities for Afghan women under oppressive circumstances and her experiences in exile. The book goes beyond her personal story to address broader themes of gender equality and the transformative power of sports in driving social change.
According to a report by Reuters, during her acceptance speech, Popal dedicated the award to all women fighting for their rights. She emphasized that the purpose of her book is to inspire future generations to stand firm against inequality and injustice.
Her story is a testament to the strength and spirit of Afghan women athletes who continue to challenge societal norms despite considerable risks. Popal’s advocacy through this book highlights how sports can serve as a platform for empowerment and social progress, especially for marginalized communities.
As global attention to women’s rights and sports equality grows, Popal’s book serves as a timely reminder of the ongoing struggles faced by female athletes in conflict zones. Her message encourages solidarity and action to support women breaking barriers worldwide.
Source: khaama.com
https://www.khaama.com/afghanistans-khalida-popal-wins-best-sports-book-award/
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Migrant Muslim Threatens Those Who Wants to Ban Hijab and Burqa in France
SIBY JEYYA
04/06/2025
The video and its reception must be understood within the context of France's complex relationship with its Muslim population, particularly those of North African descent. France has a significant history of immigration from former colonies like Algeria, Morocco, and Tunisia, especially since the mid-20th century. According to Wikipedia, by 2022, nearly half of all immigrants in France were from Africa, with a notable increase under President Emmanuel Macron's tenure. This demographic shift has been accompanied by debates over integration, secularism, and the visibility of Islamic practices, such as the wearing of the hijab and burqa.
The reference to the National Rally (RN), a far-right political party in france, in the video's subtitles, indicates a response to growing nationalist sentiments and policies perceived as anti-immigrant. The man's mention of specific neighbourhoods like Pontbois, Lille, and Roubaix points to areas with high immigrant populations, often associated with cultural and economic challenges. These regions have been focal points for discussions about urban decay, crime, and the failure of integration policies, as noted in studies like those by sociologist FarhadKhosrokhavar, who highlighted the overrepresentation of Muslims, particularly from North Africa, in French prisons.
France's strict secularism, or laïcité, has also been a flashpoint. The 2010 ban on face-covering veils in public spaces, including the burqa and niqab, was a significant policy that aimed to uphold secular principles but has been criticized by some as targeting Muslim women. This policy, along with debates over the hijab in schools and public institutions, has fueled tensions between the state and Muslim communities, with some viewing it as an attack on religious freedom.
The video, whether interpreted as a personal rant or a broader political statement, taps into fears and frustrations on both sides of the debate. For some, it represents a challenge to French sovereignty and secularism; for others, it is a cry against racism and marginalization. The controversy underscores the ongoing struggle to reconcile France's republican values with the realities of its diverse population, a challenge that continues to shape the nation's political and social landscape.
Source: indiaherald.com
https://www.indiaherald.com/Breaking/Read/994824462/Migrant-Muslim-Threatens-Those-Who-Wants-To-Ban-Hijab-and-Burqa-In-France
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Support for Enabling Afghan Women's Access to Legal Education
3 Jun 2025
The project on Enabling Afghan Women’s Access to Legal Education comes at a critical time. The takeover of Afghanistan by the Taliban regime in 2021 brought an abrupt end to the ability of women and girls to access secondary and tertiary education, including legal education. The situation continues to deteriorate even further, weakening legal education as a whole, affecting the entire Afghan legal community and legal system. The denial of access to education directly affects young women still in Afghanistan aspiring to undertake or complete studies in law. It also affects those who have left Afghanistan and are now based in other countries, struggling with new languages and legal systems and deeply insecure about what the future may hold for them, inside or outside Afghanistan. This project offers a means to keep going, to keep hope alive, and to develop and further legal skills in ways that are productive and can lead in new directions.
MIED is a platform with proven success in providing high quality education to Afghan girls and women, linking a community of committed Afghan legal professionals with students enduring the Taliban regime. However, the demand and need for legal education far outstrips MIED’s current capacity. This project will extend and augment MIED’s offerings to meet this unmet need and enhance students’ employability by designing and delivering an innovative one-year legal education program. This new joint program will include a focus on global and comparative law subjects, drawing on the expertise and experience of both Melbourne Law School and MIED to provide world class, transferable legal skills to a cohort of Afghan women who will go on to contribute to law reform in Afghanistan and globally. MIED’s founding Director, Professor Ghulam Shah Adel Alizai, former Dean of the Faculty of Law and Political Sciences in Herat, is uniquely placed to oversee the design and implementation of the program and to ensure it meets its aims. The program will engage the knowledge, expertise and commitment of lawyers and legal scholars who have fled from Afghanistan to find a home in Australia and who are anxious to make a positive contribution here, and to support the people of Afghanistan. Melbourne Law School is proud to support the Afghan legal community and to partner with MIED in this exciting and transformative project.
Source:law.unimelb.edu.au
https://law.unimelb.edu.au/news/cccs/support-for-enabling-afghan-womens-access-to-legal-education
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The Book 'Queens of Islam' Tells Stories Of Historic, Forgotten Muslim Women Rulers
Fiona André
June 3, 2025
(RNS) — In “Queens of Islam: The Muslim World’s Historic Women Rulers,” journalist Tom Verde shares stories of 15 Muslim women rulers, dating back to the early Islamic era through the 17th century.
The book, which comes out on July 22 and is published by Olive Branch Press, pushes back on stereotypes of Muslim women being oppressed and subservient. It instead highlights prominent rulers who influenced Islamic civilization from Morocco to Nigeria and Iran, while their palace intrigues and stratagems made for gripping stories.
Images viewed among Westerners of women forced to cover up in Taliban-run Afghanistan or Iran’s Islamic Republic have created a warped perception of Islam being inherently hostile to women, Verde told RNS in a May 28 interview. In “Queens of Islam,” he hopes to add nuance to their experiences and show that the Islamic world isn’t a monolith. The book, which has an epigraph quoting a Quran verse, “the believers, both men and women, are allies of one another,” also serves to debunk misconceptions about Islamic culture.
“I knew that there was a disconnect here,” said Verde, who resides in Pawcatuck, CT. “I think that the common conception we have is that women in the Muslim world are hardly let out of the house, let alone into the halls of government. I thought people should really know that this is just not the case.”
Verde has written about religion, history and culture for news outlets such as The New York Times, Politico and National Public Radio. His fascination with the 15 rulers dates back to 2011, when he reviewed a book on the architectural history of Cairo and came across Shajarat al-Durr, a ruler of Egypt. The 13th-century queen known for halting European crusades inspired him to write an article series, and then his book. “Queens of Islam” intends to introduce the leaders’ stories to an audience beyond Islamic studies academics.
Though he learned about Islamic theology and culture while pursuing a degree in Islamic studies and Christian and Muslim relations at Hartford Seminary (now Hartford International University for Religion and Peace) in Connecticut, Verde said he knew little about the women rulers of the Muslim world.
“The history of both Christianity and Islam and other faiths has sometimes been too overshadowed by the male perspective. Men write the books, tell the stories, and they sometimes tend to leave out the women, or the women are kind of sidelined or briefly mentioned,” he said.
In 2023, the author started going through academic research and accounts of contemporary chroniclers to unearth the women’s stories. For the profile of Sayidda Al Hurra, a 16th-century Moroccan ruler, Verde also interviewed experts.
The author was also struck by the tumultuous life stories of the women. To gain power, many relied on elaborate strategies and schemes. Their efforts to maintain control and exert influence in their courts amazed Verde, he said.
“I like to tell stories — they were just great stories,” Verde said.
The book includes many historical reconstructions and scenes, to bring these stories to life, he said. One chapter dedicated to Al-Khayzuran, a Yemeni slave who rose to power in the 700s and reigned from Baghdad over the Abbasid Caliphate, explains how she became influential in her husband’s and son’s courts, granting favors and advising them. The book also profiles Roxelana, who was born in Ukraine in 1505 and is considered one of the most powerful women rulers of the Ottoman Empire.
Throughout the book, short sections also debunk misconceptions about Islamic culture.
One part details how Safavid women in Iran, a dynasty that descended from Central Asian nomadic tribes, exerted power in Persian society. Another focuses on harems, or domestic spaces reserved for women and prohibited to men, often rumored as places where “women are lounging around, semi-clothed, waiting to have sex with the Sultan,” said Verde.
In reality, women living in harems learned poetry, music, mathematics, history and more, as he explains in the book. Some have run businesses and cultivated contacts from inside through intermediaries. Modern ideas of harems come from inaccurate accounts of Western diplomats and feed into Orientalist fantasies, Verde said.
“Western chroniclers, because they were denied access to this, all they could do was imagine,” Verde said.
Source: religionnews.com
https://religionnews.com/2025/06/03/queens-of-islam-tells-stories-of-historic-forgotten-muslim-women-rulers/
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Gender budget shrinks, concerns raised over women’s development
Jun 4, 2025
Despite ongoing challenges for women in employment, education, health, and safety, the national budget for FY2025–26 has seen a reduction in allocations for promoting gender equality and women's development.
Rights activists warn that this rollback threatens to reverse progress and stall efforts toward achieving the Sustainable Development Goals (SDGs).
The gender budget has dropped to Tk 260,767 crore, down from Tk 271,818.6 crore in FY2024–25. As a share of the total budget, it now stands at 33 percent, falling from 34 percent last year.
Its proportion of GDP has also declined to 4.2 percent, compared to 4.86 percent previously, raising fresh doubts about the government's commitment to closing gender gaps in key sectors.
Decline in key allocations
The Ministry of Women and Children Affairs (MoWCA) has seen its budget drop to Tk 5,078 crore, down from Tk 5,222 crore in the previous fiscal year.
Three out of four key thematic areas of gender-relevant spending have also seen declines:
Women's Empowerment and Social Status: Tk 62,535.9 crore, down from Tk 64,074.6 crore.
Effective Access to Public Services: Tk 36,177.9 crore, down from Tk 44,054.4 crore.
Education, Health, and Wellbeing: Tk 82,867.7 crore, down from Tk 86,894.4 crore.
Only Economic Participation and Equality saw a modest increase, rising to Tk 79,185.2 crore from Tk 76,841.7 crore.
Concerns over women's employment and safety
Critics argue that the budget cuts come at a time when Bangladesh is facing massive job losses among women, declining labour force participation, and shrinking access to essential services such as reproductive healthcare and education.
A recent CPD report found that Bangladesh lost 21 lakh jobs between July and December, with 85 percent of them held by women.
In the October–December 2024 quarter, women accounted for 92 percent of net job losses.
Overseas employment opportunities have also shrunk, with monthly female migrant departures falling from 8,789 in 2022 to 4,610 in 2025, according to the Bureau of Manpower, Employment, and Training.
Experts call for stronger implementation
In his budget speech on Monday, Finance Adviser Salehuddin Ahmed announced a Tk 125 crore special fund for women entrepreneurs.
However, experts stress that such measures must be backed by strong implementation frameworks.
Shahnaz Sumi, director at Bangladesh NariPragati Sangha, termed the reductions in gender budget and MoWCA funding as "unfortunate."
"There's no recognition of women as farmers, and the minimal increase in allowances doesn't reflect the rising cost of living," she said.
Bangladesh MahilaParishad President Fauzia Moslem echoed the concern, stating that reducing the budget while claiming to fight gender inequality is contradictory.
"Without targeted measures for security, employment, and education, women's economic participation will decline," she warned.
Transparency and accountability Issues
Experts also raised concerns over transparency, noting that only 16 out of 64 ministries included detailed schedules in this year's gender budget—a sharp drop from 44 ministries in FY2023–24.
SharmindNeelormi, economics professor at Jahangirnagar University, argued that gender budgeting is more about intention than just numbers.
"Yes, the number of ministries submitting reports has grown, but its share within overall ministry budgets hasn't. So proportionately, there's no real gain," she said.
She further pointed to declines in access to public services, particularly in women's mobility, safety, and justice.
ShaheenAnam, executive director of ManusherJonno Foundation, criticised the budget for overlooking the challenges of marginalised women, particularly climate victims.
"Women suffer disproportionately during disasters, yet the budget fails to reflect that reality," she said.
Call for policy action
Women's Affairs Reforms Commission member Maheen Sultan also expressed concern over reduced allocations and MoWCA funding.
"But another major issue is the government's inability to fully utilise allocated funds. This itself signals failure," she said.
When asked whether the Women's Affairs Reforms Commission's recommendations could be implemented, she said, "To implement our recommendations, the necessary resources must be allocated."
Source: thedailystar.net
https://www.thedailystar.net/business/bangladesh-budget-2025-26/news/gender-budget-shrinks-concerns-raised-over-womens-development-3911076
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Decide to Leave Hijab, Artist Olla Ramlan Reveals the Reason for The Children
04 Juni 2025
JAKARTA - Artist and presenter Olla Ramlan shares the story of her struggle as a single mother who raised three children. In the video quoted by VOI from the Insertlive YouTube channel on Monday, June 2, 2025, Olla spoke from heart about the responsibilities, sacrifices, and strengths she found in her role as a single parent.
"From the photo, I want to show that a mother, single mother and three children, we really fight really for the children, maybe without anyone's help, so we have to work hard," said Olla Ramlan.
He revealed that children are the centre of life, being a source of strength as well as the main reason to keep moving, even in the midst of the difficulties they face.
"And I'm here, the important thing in my life is my children, so that's what makes me get it out," said Olla.
In her statement, Olla also mentioned the closest people who were the motivation of her life, including her late father and mother who are now aging and sick.
"Maybe to my late father who wasn't there, to my existing mother, he was old, already sick," he said.
He emphasized that his struggle was not just for image or existence, but really born from responsibility and love. He didn't even feel the need to share everything he experienced openly.
"Yes, I'm fighting for the children, then the people who still need my help, so I... Yes, I don't need to share, I don't need to reveal what's in me, I think you understand," he continued.
Closing her statement, Olla expressed her gratitude to all parties, including netizens, both for the support and criticism she received.
"For netizens, for my friends, thank you for all the praise, insults, insults, or beautiful prayers that you have conveyed to me, I accept. Because I am also an ordinary human being who must introspect a lot, God willing, I will live this with bismillah," added Olla Ramlan.
Source: voi.id
https://voi.id/en/lifestyle/486561
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Iran’s ‘hell’ exhibit goes cold on final night after technical glitch
04 June 2025
A theatrical “hell” installation staged by Iran’s Revolutionary Guards failed to deliver its fiery finale after technical issues left the exhibit cold on its final night, the online newspaper Faraz reported.
The immersive experience, part of the Heaven Time project in Gilan Province, aimed to depict scenes from the Islamic afterlife using real flames, costumed actors, and dramatized punishments. But on the final night, hell failed to ignite—at least on Earth.
Civil rights lawyer Hassan Younesi wrote on X that several women were denied entry to the “hell” exhibit for not wearing the mandatory hijab—sparking widespread irony online, where users said that those supposedly destined for hell were barred from even visiting it.
Images and reports from the event had already sparked ridicule online for what many called a crude and unsettling parody of faith.
Source: iranintl.com
https://www.iranintl.com/en/202506044584
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URL: https://newageislam.com/islam-women-feminism/hijab-alone-niqab-hyderabad-woman-wear/d/135776